Reviews · Seasonal Reads

REVIEW!! The Shadowing by Rhiannon Ward

Image Description: The cover of The Shadowing by Rhiannon Ward has golden ivy leaves against a grey backdrop of faded brickwork

When well-to-do Hester learns of her sister Mercy’s death at a Nottinghamshire workhouse, she travels to Southwell to find out how her sister ended up at such a place.

Haunted by her sister’s ghost, Hester sets out to uncover the truth, when the official story reported by the workhouse master proves to be untrue. Mercy was pregnant – both her and the baby are said to be dead of cholera, but the workhouse hasn’t had an outbreak for years.

Hester discovers a strange trend in the workhouse of children going missing. One woman tells her about the Pale Lady, a ghostly figure that steals babies in the night. Is this lady a myth or is something more sinister afoot at the Southwell poorhouse?

As Hester investigates, she uncovers a conspiracy, one that someone is determined to keep a secret, no matter the cost…

With the onset of Autumn and the turning of the leaves, my reading taste has once more turned to all things historical and spooky. Yes, I’m back in my Gothic reading comfort zone – and Rhiannon Ward’s second dose of historical spookiness, The Shadowing, proved to be the perfect fit for my autumnal reading mood!

The Shadowing follows Hester, the youngest daughter of a well-to-do family of Bristol Quakers. When the family learn that Hester’s elder sister Mercy has died at a Nottinghamshire workhouse, Hester is sent north to Southwell to find out exactly how her sister ended up in such a place, why she had not felt she could draw on the support of her fellow Friends in the area, and whether she has received the burial rites due to her as a Quaker.

As Hester journeys north, she is aware of a presence travelling with her. Beset by traumatic dreams and ghostly visions – ‘shadowings’ – since childhood, Hester knows it is Mercy who travels alongside her. And when she reaches Southwell Workhouse, she soon discovers why. Mercy was pregnant when she died – and although the Master and Mistress of the Workhouse claim both she and the child were taken by cholera, Hester soon discovers that there hasn’t been an outbreak for years.

With the reluctant aid of local innkeeper Matthew and his serving maid Joan, Hester sets about investigating what is really going on at Southwell Workhouse. Why are her new Friends – fellow Quakers Dorothea and Caroline – so reluctant for her to visit the place? Why does the young town doctor take such an interest in her visits there? And who exactly is the ghostly Pale Lady who terrifies the women and apparently steals babies in the depths of night?

As with her previous historical novel, The Quickening, Rhiannon Ward has provided a compelling and atmospheric blend of historical mystery and ghost story in The Shadowing. I was fascinated by the historical detail – from Hester’s Quaker background to the realities of life in the Workhouse, there’s a real sense of both time and place in the novel, and you can tell that the author has done her research – although it is lightly worn and woven expertly into the story.

The novel doesn’t shy away from portraying the grim realities of Workhouse life – especially for those deemed the ‘undeserving’ poor. I felt great compassion for the women (and, sadly, they were primarily women) forced to rely on the ‘charity’ of the parish due to abandonment or widowhood – and the novel does a great job of showing just how easy it would be for a young woman deemed ‘respectable’ and well-to-do like Hester to end up in a situation where her life – and her fate – is taken wholly out of her control.

Hester herself is a spirited main character. Although somewhat naïve – a result of her sheltered and strict upbringing – she is determined to get to the bottom of the unexplained deaths and disappearance at the Workhouse. I really liked the way in which Hester’s Quaker beliefs were woven into the plot, and the way in which they often ran counter to the more common ethos about who was ‘deserving’ of charity and the chance of redemption. Hester’s relationship with Matthew – the somewhat gruff and forthright publican at Southwell’s coaching in – is also really well done, moving from antagonistic to grudgingly respectful as the story progresses despite their very different upbringings and outlooks.

Although the supernatural element is stronger in The Shadowing than in The Quickening, Hester’s supernatural visitations and psychic senses are woven into the plot in a way that is wholly believable, and that adds an ever present sense of unease to the novel. Although Hester’s ‘shadowings’ are ghostly apparitions, the whole novel is imbued with an atmosphere of shadowiness (and some brilliant moments of foreshadowing), with Southwell itself quickly becoming a place of secrets and shadows, ready to leap at Hester from every corner.

Anyone who enjoyed The Quickening is sure to find The Shadowing a worthy follow-up, packed with the same level of historical detail and a brilliantly eerie atmosphere, and headed up by another strong and determined female lead. With its blend of historical mystery and supernatural happenings, The Shadowing is also the perfect fit for fans of Laura Purcell and Anita Frank, and an excellent addition to the popular genre of Modern Gothic.

The Shadowing by Rhiannon Ward is published by Trapeze (Orion) and is available now from all good booksellers and online retailers including Hive,, Waterstones, and Wordery.

If you can, please support a local indie bookshop by ordering from them either in person or online! Some of my favourites include Booka Bookshop, The Big Green BookshopSam Read BooksellersBook-ishScarthin Books, and Berts Books

My thanks go to the publisher and to Netgalley UK for providing an ecopy of the book in return for an honest and unbiased review.

Reviews on The Shelf are free, honest, and unbiased and I don’t use affiliate links on my posts. However if you enjoy the blog please consider buying me a coffee on Ko-Fi!

Reviews · Seasonal Reads

REVIEW!! The Lost Ones by Anita Frank

Image Description: The cover of The Lost Ones shows the figure of a woman atop a grand staircase silhouetted against a blue background. Bronze and white leaves surround the image.

Some houses are never at peace.

England, 1917

Reeling from the death of her fiancé, Stella Marcham welcomes the opportunity to stay with her pregnant sister, Madeleine, at her imposing country mansion, Greyswick – but she arrives to discover a house of unease and her sister gripped by fear and suspicion.

Before long, strange incidents begin to trouble Stella – sobbing in the night, little footsteps on the stairs – and as events escalate, she finds herself drawn to the tragic history of the house.

Aided by a wounded war veteran, Stella sets about uncovering Greyswick’s dark and terrible secrets – secrets the dead whisper from the other side…

Some books definitely need to be read in certain seasons and, with its promise of ghostly goings on and creepy country houses, Anita Frank’s The Lost Ones practically screamed ‘autumn’ to me. So despite having this on my Netgalley TBR for FAR too long, I waited until a time that could reasonably be classed as spooky season (yes, I know it’s only September but as far as I’m concerned that counts) to dive in.

Opening in 1917, and with the First World War drawing to a close, The Lost Ones follows Stella Marcham, a young woman left reeling by the death of her fiancé Gerald in the trenches. Consumed by grief, forced to leave her role as a nurse with the VAD, and now left listless and forlorn at her childhood home, Stella has tried to take her own life – an act that, whilst unsuccessful, has left her at risk of an enforced ‘rest’ in a sanitorium. Given the opportunity to stay with her beloved younger sister whilst she awaits the birth of her first child, Stella sets out for the imposing country manor of Greyswick – only to find a house beset with more unease and suspicion than the one she left behind.

Aided by Madeline, whose own fears about Greyswick Stella is determined to allay, and by her unusual ladies maid Annie, a young woman with very particular hidden gifts, Stella sets out to discover just what – or who – is disturbing the peace and tranquillity of Greywick. The women’s investigations will bring them into conflict with Greywick’s inhabitants, especially the imposing housekeeper Mrs Henge, but will also bring them an unusual ally in the form of wounded war veteran and psychic investigator Tristan Sheers. But as Stella and her companions attempt to lay the ghosts of Greywick to rest, dark forces are moving amongst the living – and they have Stella in their sights.

Packed with unsettling noises and things that go bump in the night, The Lost Ones is the perfect blend of light horror, spooky goings on and sinister family secrets, but also provides a moving and reflective exploration of grief and mental trauma. It packs a lot into its 450 pages and, whilst I don’t want to give any spoilers, touches on a number of issues including a suicide attempt and suicidal thoughts, depression, grief, child death, fire/fire injury, physical trauma, the loss of a limb, infidelity, rape/sexual assault, miscarriage and forced institutionalisation. Whilst all of these issues are handled very sensitively, they are integral to the plot and this makes the novel a reflective – and at times quite tragic – read in spite of the page-turning quality of its mystery plot.

Stella makes for an emotionally engaging and complex protagonist. Capable and strong-willed, her experiences at The Front have made her fiercely independent but her all consuming grief means that, at times, she makes for an unreliable narrator. Whilst I desperately wanted to believe Stella, there were times when I had to question whether her pursuit of a supernatural explanation was a result of her own desperation to be reunited with her beloved Gerald again. The novel does a fantastic job of keeping this balance between the ‘real’ and the supernatural and the inclusion of a sceptical researcher – Tristram Sheers – provided an engaging counterpoint to Stella, especially once the reasons behind his scepticism become clear.

I also really liked Annie, Stella’s maid, who is gifted with the ability to communicate with the dead – although it is not always a ‘gift’ she enjoys possessing. Initially dismissive of Annie, seeing the relationship between the two young women develop over the course of the novel was one of the highlights of the book for me. The sinister housekeeper Mrs Henge, meanwhile, can give Mrs Danvers a run for her money in the ‘creepy family retainer’ department – always popping up from the shadows when least expected and clearly hiding a multitude of secrets!

With atmosphere and intrigue packed into every page, The Lost Ones was the perfect read to kick off my autumnal reading season. With some genuinely frightening moments, its an eerie historical ghost story that is sure to appeal to fans of Laura Purcell’s The Silent Companions and Susan Hill’s The Woman in Black, whilst the focus upon female friendships and the traumas suffered by women reminded me of Stacey Halls’ The Familiars. Gripping in its pace and plotting, The Lost Ones is also a sensitive portrayal of grief, loss, and the trauma of war and is an impressive debut that kept me enthralled from first page to last. I look forward to reading whatever Anita Frank writes next!

The Lost Ones by Anita Frank is published by HQ (HarperCollins) and is available now from all good booksellers and online retailers including Hive,, Waterstones, and Wordery.

If you can, please support a local indie bookshop by ordering from them either in person or online! Some of my favourites include Booka Bookshop, The Big Green BookshopSam Read BooksellersBook-ishScarthin Books, and Berts Books

My thanks go to the publisher and to Netgalley UK for providing an e-copy of the book in return for an honest and unbiased review.

Reviews on The Shelf are free, honest, and unbiased and I don’t use affiliate links on my posts. However if you enjoy the blog please consider buying me a coffee on Ko-Fi!

Blog Tours · Reviews

BLOG TOUR!!! Wicked Little Deeds by Kat Ellis

Image Description: The cover for Wicked Little Deeds shows a young woman in silhouette running away from the camera down a corridor.

The rumours don’t add up, but the bodies are starting to…

From its creepy town mascot to the story of its cursed waterfall, Burden Falls is a small town dripping with superstition. Ava Thorn knows this well – since the horrific accident she witnessed a year ago, she’s been plagued by nightmares.

But when her school nemesis is brutally murdered and Ava is the primary suspect, she starts to wonder if the legends surrounding the town are more fact than fiction.

Whatever secrets Burden Falls is hiding, there’s a killer on the loose, and they have a vendetta against the Thorns…

Regular readers of The Shelf may know that I’ve been enjoying the occasional YA thriller recently. I read and LOVED both The Cousins and The Inheritance Games last year and, since then, have added considerably to my TBR by seeking our more writers in the YA mystery/thriller genre.

What I hadn’t considered was that I could also add another of my favourite genres into that already delightful mix – the ghost story. So imagine my delight when Kat Ellis’s Wicked Little Deeds landed on my doormat described as (to quote Mina and the Undead author Amy McCaw) “Riverdale meets The Haunting of Hill House“. Sold already? Because I certainly was! But before you race off to the nearest book shop or your favoured web retailer of choice, let me tell you a little more about Wicked Little Deeds and why it’s so good (because yes, I loved it – it contains all the ingredients that make for Shelf of Unread catnip so what did you expect?!).

Ava Thorn’s family have lived in the small town of Burden Falls for generations. The Bloody Thorns of Thorn Manor are as well known as the legend of Dead-Eyed Sadie, the town’s most famous ghostly legend – as is the fact that a sighting of Sadie is supposed to portend tragedy for any Thorn unlucky enough to catch a glimpse of her. Following a horrific accident that killed her parents, Ava is reluctantly leaving Thorn Manor – and its ghosts – behind her.

But when pretty and popular Freya Miller – Ava’s school nemesis and the daughter of the man who ruined her life – is found brutally murdered, Ava begins to wonder if the creepy stories that surround her family might be true after all. Reluctantly teaming up with Freya’s brother Dominic, Ava begins investigating the truth behind Dead-Eyed Sadie. Who was she – and why does every tragedy in town seem to lead back to a Thorn? As secrets are uncovered and old truths are laid bare, Ava and Dominic must confront both the past, and the killer who is waiting for them in the present.

Combining the compulsive suspense of a thriller with the sinister chills of a ghost story, Wicked Little Deeds (published as Burden Falls in the US) is the perfect page-turner to pick up as the nights begin to draw in! I was rapidly drawn into the story and, with the cliff-hanger chapter endings and constant stream of mysteries and revelations, I read the book in just a couple of sittings.

Ava is, if not always a likeable character, a very sympathetic one. Grieving for her parents and the loss of her family home, she’s angry and resentful but also determined, driven, and brave. I liked her very much – even when she was being horrid to her friends or lashing out at easy targets like the Miller family – and I really liked how resilient and resourceful she was. Kat Ellis has done a fantastic job of capturing what its like to be a teenager – all high drama and shifting emotions that, sometimes, you barely understand yourself. And that applies equally well to the other characters too – from queen bee Freya and Ava’s preppy best friend Ford to Freya’s quieter, more reflective (and unbearably handsome) brother Dominic, all of the characters came across as real people with real, messed-up emotions and shifting, complex motivations.

The novel blends the mystery/thriller and horror/supernatural elements of the story together really well, although I’d say the focus does stay on the mystery throughout as Ava and Dominic work to stop the spate of murders and uncover the truth behind the old Thorn family legends. That said, things do go towards the horrific in places – there are some fairly gory moments when the bodies are discovered, and some of the descriptions tend towards the gruesome so readers of a sensitive disposition should be forewarned. Trigger warnings also for bereavement, a road traffic collision, mentions of alcohol abuse/alcoholism, mentions of depression, psychological abuse, and drug abuse. Taking the edge off all those dark themes, there are also some fantastic friendships, cutting humour, and a gentle, nicely interwoven romance.

Saying any more about the plot would be to risk spoilers but I will say that this was definitely an edge-of-your-seat, can’t-turn-the-pages-fast-enough read for me! Once the story got going, I was so eager to get back to my book and get to the next chapter – definitely one of those reads where I wanted to put life on hold for a bit! Perfect for anyone looking who loves dark and creepy mysteries or YA thrillers with a horror twist, Wicked Little Deeds might have been my first novel by Kat Ellis, but it certainly won’t be my last!

Wicked Little Deeds by Kat Ellis (published as Burden Falls in the US) is published by Penguin and is available now from all good booksellers and online retailers including Hive,, Waterstones, and Wordery.

If you can, please support a local indie bookshop by ordering from them either in person or online! Some of my favourites include Booka Bookshop, The Big Green BookshopSam Read BooksellersBook-ishScarthin Books, and Berts Books

My thanks go to the publisher for providing a copy of the book in return for an honest and unbiased review and to The Write Reads for organising and inviting me onto this blog tour. The tour continues until 20 August 2021 so do check out the other stops for more reviews and content by following #UltimateBlogTour and #TheWriteReads on Twitter and Instagram.

Reviews on The Shelf are free, honest, and unbiased and I don’t use affiliate links on my posts. However if you enjoy the blog please consider buying me a coffee on Ko-Fi!

Blog Tours · Reviews

BLOG TOUR!! The Shape of Darkness by Laura Purcell

Wicked deeds require the cover of darkness…

A struggling silhouette artist in Victorian Bath seeks out a renowned child spirit medium in order to speak to the dead – and to try and identify their killers – in this beguiling new tale from Laura Purcell.

Silhouette artist Agnes is struggling to keep her business afloat. Still recovering from a serious illness herself, making enough money to support her elderly mother and her orphaned nephew Cedric has never been easy, but then one of her clients is murdered shortly after sitting for Agnes, and then another, and another…

Desperately seeking an answer, Agnes approaches Pearl, a child spirit medium lodging in Bath with her older half-sister and her ailing father, hoping that if Pearl can make contact with those who died, they might reveal who killed them. But Agnes and Pearl quickly discover that instead they may have opened the door to something that they can never put back…

What secrets lie hidden in the darkness?

Having read and very much enjoyed both The Silent Companions and Bone China, I was absolutely thrilled to be part of the blog tour for Laura Purcell’s latest gothic delight, The Shape of Darkness.

Set in Victorian Bath, the novel alternates between the perspectives of struggling silhouette artist Agnes and child spirit medium Pearl as they unite to try and discover the identity of a sinister killer who appears to be targeting Agnes’ clients. But as they use Pearl’s powers to connect with the spirits of the victims, dark secrets from both of their pasts begin to emerge – and forces that they may not be able to control seek to take control.

Laura Purcell has brilliantly evoked the gloomy atmosphere of Victorian Bath, effortlessly transporting the reader to the dark streets that lie behind the elegant facades of the famous Crescent. From the very first page, she succeeds in creating a dark and oppressive atmosphere, taking the reader from the shabby gentility of Agnes’s house to the dank and gloomy interior of Pearl’s makeshift parlour. This oppressiveness only grows over the course of the book, as the sinister forces that Agnes and Pearl seem to have evoked loom large across the page.

As in her previous novels, Purcell has also created some complicated and captivating characters in Agnes and Pearl. Both had distinct voices and, because of their circumstances, provide a unique perspective on the world.

I really liked how Agnes provided the perspective of an older woman – a character often overlooked in Gothic fiction. Living with her elderly mother and her beloved nephew Cedric, Agnes’s life has been beset by hardships including the loss of her beloved Montague, a tragic accident, and a recent bout of pneumonia that has left her physically weak and struggling to work. She is also a woman out of time. As photography becomes the popular medium of choice, Agnes’s profession as a silhouette artist is becoming increasingly irrelevant – leaving Agnes feeling almost like a ghost from a by-gone era herself. This sense of Agnes as a woman haunted by her mysterious past is effectively combined with the atmosphere to really ratchet up the tension – and helps to create some explosive and completely unexpected twists towards the novel’s close!

Pearl is another fascinating character. Aged only 11, her narrative combines a childlike innocence with the knowledge gained from her ability to communicate with a world beyond our own. Struggling with both her own new-found abilities and with the expectations placed upon her by her mesmerist sister Myrtle and her sick father, Pearl is a deeply sympathetic character whose tragic life only gets more complicated with the arrival of Agnes.

Purcell is a master of evoking gothic tropes to craft sinister and richly described mysteries and The Shape of Darkness is no exception to this – for me, it’s probably her darkest book yet, with the story going to some disturbing places that leave the reader questioning what is real and what is imagined. This does mean that the novel is not the fastest of reads – the slow build up of atmosphere is designed to be savoured not devoured – but, if you stick with the sedate pacing, you’ll be rewarded with some fantastic twists and a truly shocking, edge-of-your-seat ending.

Fans of Purcell’s work are sure to be delighted by The Shape of Darkness, which offers the perfect combination of chilling gothic vibes and evocative historical setting that made her previous novels such an enjoyable read. Whilst detractors are unlikely to be converted, for those new to Purcell’s writing, The Shape of Darkness makes the perfect jumping off point for her work with its combination of a chilling murder mystery and a haunting ghost story.

The Shape of Darkness by Laura Purcell is published by Bloomsbury Raven and is available now from all good booksellers and online retailers including Hive,, Waterstones, and Wordery.

If you can, please support a local indie bookshop by ordering from them either in person or online! Some of my favourites include Booka Bookshop, The Big Green BookshopSam Read BooksellersBook-ishScarthin Books, and Berts Books

My thanks go to the publisher for providing a copy of the book in return for an honest and unbiased review, and to Anne Cater from Random Things Tours for organising and inviting me onto this blog tour.

Reviews on The Shelf are free, honest, and unbiased and I don’t use affiliate links on my posts. However if you enjoy the blog please consider buying me a coffee on Ko-Fi!

Reviews · Seasonal Reads

REVIEW!! The Haunting of Alma Fielding: A True Ghost Story by Kate Summerscale

London, 1938.

In the suburbs of the city, an ordinary young housewife has become the eye in a storm of chaos. In Alma Fielding’s modest home, china flies off the shelves, eggs fly through the air; stolen jewellery appears on her fingers, white mice crawl out of her handbag, beetles appear from under her gloves; in the middle of a car journey, a terrapin materialises on her lap.

Nandor Fodor – a Jewish-Hungarian refugee and chief ghost hunter for the International Institute for Psychical Research – reads of the case, and hastens to the scene of the haunting. But when Fodor starts his scrupulous investigation, he discovers that the case is even stranger than it seems.

By unravelling Alma’s peculiar history, he finds a different and darker type of haunting: trauma, alienation, loss – and the foreshadowing of a nation’s worst fears. As the spectre of Fascism lengthens over Europe, and as Fodor’s obsession with the case deepens, Alma becomes ever more disturbed.

With rigour, daring and insight, the award-winning pioneer of non-fiction writing Kate Summerscale shadows Fodor’s enquiry, delving into long-hidden archives to find the human story behind a very modern haunting.

In The Haunting of Alma Fielding, Kate Summerscale moves away from the hidden secrets of Victorian drawing rooms and into the middle-class suburbs of 1930s London.

The peace of a quiet family home has been shattered – crockery has started flying off the shelves, objects throw themselves at the husband of the house, and wardrobes appear to move on their own. At the centre of it all is suburban housewife Alma Fielding, an apparently quiet and unassuming woman who is both confused and terrified by the strange goings on in her home. Desperate to find some rationale behind the apparent hauntings, she calls on the local press and they, in turn, attract the attention of Nandor Fodor, chief ghost hunter for the International Institute for Psychical Research.

Starting with a bang (quite literally given the amount of broken china that Fodor finds in the Fielding’s home), Summerscale’s latest work of narrative non-fiction follows Fodor’s investigation of Alma as he moves from observing incidences in her home to asking her to sit for seances at the Institute. As the investigation continues, Alma’s powers seem to increase – she manifests live animals, speaks in strange voices, and begins to develop physical scratches on her body. But is Alma really being haunted? And if so, is it by a ghost or by something much darker, hidden deep within her past?

As you would expect with Kate Summerscale, this is a thoroughly researched and comprehensive account of an unusual and little-known tale. Despite having read a number of books about the research activities of twentieth-century ‘ghost hunters’ such as Harry Price, I’d never heard of Nandor Fodor or of the International Institute, and I was fascinated by the fine balance they had to maintain between being open-minded towards their subjects and scientific in their pursuit of proof of the supernatural.

Summerscale does an excellent job of conveying both the popularity of spiritualism and psychical research at the time and the reasons behind this and, despite some of the Institute’s practices seeming far from ‘scientific’ by today’s standards, I was fascinated by how their thinking about psychic abilities and the supernatural paved the way for modern psychological thinking and techniques – especially in the field of parapsychology – today. Fodor certainly seemed to be a man ahead of him time in many ways, although his treatment of Alma is, at times, quite disturbing and the latter part of the book really does get you thinking about the ethics of treating a real person – and their past traumas – as a scientific subject.

The Haunting of Alma Fielding is also quite dense in places. For the most part Summerscale wears her research lightly but, in parts, she packs in huge amounts of detail – some of which felt extraneous, or seemed to relate to some side-character or event that wasn’t directly connected with Fodor, Alma or the investigation. Sometimes it felt as if this information was being repeated and, at times, the pace of the book seemed to slow to a crawl as a result. After a brisk and exciting start, I found myself really struggling to stay interested during the middle section before the book picked back up for the end.

If you’re expecting a true life ghost story similar to Harry Price’s account of the haunting at Borley Rectory, or the memoirs of various ‘ghost hunters’ then you’ll probably find The Haunting of Alma Fielding a little disappointing. For all the supernatural phenomena that is centred on Alma, there is very little that goes bump in the night here. However if you’re looking for a thorough and well-researched examination of the early days of para-psychological investigations, and of the fluid boundaries between science, the self, and the supernatural, Summerscale’s latest is sure to prove an enlightening read.

The Haunting of Alma Fielding by Kate Summerscale is published by Bloomsbury and is available now from all good booksellers and online retailers including Hive, Waterstones, and Wordery.

If you can, please support a local indie bookshop by ordering from them either in person or online! Some of my favourites include Booka Bookshop, The Big Green BookshopSam Read BooksellersBook-ishScarthin Books, and Berts Books

My thanks go to the publisher and to Netgalley UK for allowing me to read an ecopy of the book in return for an honest and unbiased review.

Reviews on The Shelf are free, honest, and unbiased and I don’t use affiliate links on my posts. However if you enjoy the blog please consider buying me a coffee on Ko-Fi!

Blog Tours · Reviews

BLOG TOUR!! I Am Dust by Louise Beech

I Am Dust JacketThe Dean Wilson Theatre is believed to be haunted by a long-dead actress, singing her last song, waiting for her final cue, looking for her killer…

Now Dust, the iconic musical, is returning after twenty years. But who will be brave enough to take on the role of ghostly goddess Esme Black, last played by Morgan Miller, who was murdered in her dressing room?

Theatre usher Chloe Dee is caught up in the spectacle. As the new actors arrive, including an unexpected face from her past, everything changes. Are the eerie sounds and sightings backstage real or just her imagination? Is someone playing games?

Is the role of Esme Black cursed? Could witchcraft be at the heart of the tragedy? And are dark deeds from Chloe’s past about to catch up with her?

Not all the drama takes place onstage. Sometimes murder, magic, obsession and the biggest of betrayals are real life. When you’re in the theatre shadows, you see everything.

And Chloe has been watching… 

Louise Beech is fast developing a reputation as a purveyor of finely crafted and emotionally taut psychological thrillers. Her last novel, Call Me Star Girl, was acclaimed by readers for its dark atmosphere and her latest, I Am Dust, is a more than worthy follow up.

Part mystery, part psychological thriller, and part ghost story, I Am Dust follows theatre usher Chloe as she gets caught up in the return of the infamous musical Dust. Famed, or maybe cursed, following to the murder of its lead actress Morgan Miller during its original run, the revival of Dust brings ghosts of a different kind back to the Dean Wilson Theatre. The new lead is Ginger Swanson, an old friend of Chloe’s, and her return brings with it old memories of teenage misadventures, lost love, and a deadly curse. As preparations for the show begin, Chloe is caught between the past and the present, and the worlds of the living and the dead.

I Am Dust is absolutely dripping with atmosphere. From the eerie emptiness of a nighttime theatre to the glitz and glamour of curtain up, I was utterly absorbed into Chloe’s hauntingly evocative world.

Chloe herself is a complicated character. Emotionally scarred, she’s an unreliable narrator by circumstance rather than by choice. Teenage trauma has shuttered off her memories, which are gradually drip-fed to the reader in the form of flashback chapters to Chloe’s youth when she, Ginger, and a boy called Ryan played games with the occult that have dangerous consequences for the trio.

I really felt for Chloe as the book progressed. Traumatised and uncertain, her chronic lack of self-belief prevents her from seeing her own talent and charm. The supporting cast are also well-defined and believable. From the enigmatic Ginger, on the verge of stardom and with her own haunted past, to cheeky co-worker Chester, desperate to avail himself into the latest Dust gossip no matter the consequences, each of them like rounded human beings, each with their own foibles.

Without giving away any of the plot, I will say that readers are in for an atmospheric and haunting experience filled with twists, turns and unexpected reveals. I was absolutely hooked from page one and raced through the book over the course of a couple of days. Beech really knows how to keep the pace up, alternating deftly between the past and the present and weaving the tragic tale of Morgan Miller and Chloe’s tattered memories into the present-day story of Dust’s revival.

I Am Dust is a brilliantly executed tale of love, jealousy, and self-belief wrapped up in a satisfying mystery. Add in a dash of the supernatural and you’ve got yourself a precisely crafted, poignant, and emotionally layered tale that is sure to leave you with shivers up the spine.

I Am Dust by Louise Beech is published by Orenda Books and is available now from all good booksellers (while physical bookshops may be closed, don’t forget that many indies are still selling online and via phone/email!) and online retailers including the Orenda store, Waterstones, Book Depository, and Amazon

My thanks go to the publisher for providing a copy of the book in return for an honest and unbiased review, as well as to Anne Cater from Random Things Tours for inviting me onto and organising this blog tour. The tour continues until 30 April so do check out the other stops for more reviews and content! 

I Am Dust BT Poster


REVIEW!! Bone China by Laura Purcell

Bone ChinaConsumption has ravaged Louise Pinecroft’s family, leaving her and her father alone and heartbroken.

But Dr Pinecroft has plans for a revolutionary experiment: convinced that sea air will prove to be the cure his wife and children needed, he arranges to house a group of prisoners suffering from the same disease in the cliffs beneath his new Cornish home.

While he devotes himself to his controversial medical trials, Louise finds herself increasingly discomfited by the strange tales her new maid tells of the fairies that hunt the land, searching for those they can steal away to their realm.

Forty years later, Hester Why arrives at Morvoren House to take up a position as nurse to the now partially paralysed and almost entirely mute Miss Pinecroft. Hester has fled to Cornwall to try and escape her past, but surrounded by superstitious staff enacting bizarre rituals, she soon discovers that her new home may be just as dangerous as her last.

I deliberately waited until the nights started to draw in before picking up Laura Purcell’s latest novel Bone China. Having read and loved her brilliantly spooky debut The Silent Companions, I knew Purcell excels at providing her readers with a healthy slice of the Gothic, some sinister happenings, and atmosphere that you can cut through with a knife. And in this respect, Bone China absolutely did not disappoint.

Offering shades of Daphne Du Maurier, Bone China centres on the occupants of the forlorn Morvoren House. Isolated and gloomy, Morvoren sits high on the Cornish cliffs, watching over the caves that lie beneath it. When Hester Why arrives at Morvoren to nurse the elderly Louise Pinecroft, she is taken aback by her new mistress’s isolation – and by the superstitious household staff with their tales of fairies and their numerous rituals. Morvoren House is, it seems, a house of secrets. And Hester herself if not everything she appears to be…

From the dark and oppressive shadows of Morvoren House, with its dank caves and chill winds, to the refined confines of an elegant London townhouse, every one of Purcell’s settings drips atmosphere. I was fascinated by the world that these characters inhabited, filled with hidden codes of conduct and constantly treading a balance between science and superstitions.

Sadly I was less captivated with the lives of the characters themselves. I raced through the first portion of the book, which sees the enigmatic Hester arrive at Morvoren House. From the off, it is clear that Hester has suffered a fall from grace. Increasingly reliant on the contents of her hip-flask just to make it through the day, she is a far cry from the competent and reliant ladies maid she was in London.

Yet just as I was drawn into Hester’s story – and the tragic reasons behind her sudden alteration in character and circumstances – the narrative moves back forty years and switches to the viewpoint of Louise Pinecroft, Hester’s new mistress. Whilst Louise’s story is a tragic and compelling one in and of itself, the sudden shift left me feeling disconnected from Hester.

And, whilst the strands of the two narratives do come together as the novel progresses, I never felt like I quite got the grasp of either of them. There was, if I’m honest, a little too much going on: Hester’s terrible secret, Louise’s haunted past, the sinister nursemaid Creeda with her spells and rituals, and the mysterious Rosewyn who seems to be being kept at Morvoren against her will. Add in a secondary plot involving a theoretical treatment for consumption (now better known as TB), and the third strand about fairy superstitions, and it was sometimes hard to keep all the dots joined together in my head.

Which is such a shame because, when Bone China works, it really works. I was genuinely fascinated by Hester’s story and backstory. And Louise’s tale, especially all the information about TB and the early attempts at finding a cure, was clearly very well researched and made for a compelling read. Either of these would have made, I felt, a brilliant novel in their own right. But I wasn’t sure that the two stories fit together particularly well, or that the third strand about fairies added anything to either of them.

All of this makes it sound like I really didn’t enjoy Bone China, which certainly isn’t the case. I don’t review books I don’t finish and I don’t finish books that I don’t enjoy – so Bone China did compel me enough to finish it. It’s a solidly good book. Good but, for me, not brilliant.

As I said at the beginning of this review, the atmosphere is spot on and the story has a compulsion that did leave me wanting to know how everything fitted together. I suppose I just felt that, ultimately, the novel was a little disjointed and that the ending, when it came, raised more questions than I felt it answered.

Bone China by Laura Purcell is published by Raven Books and is available now from all good booksellers including Hive, Waterstones, Book Depository, and Amazon.

My thanks go to the publisher and to NetGalley UK for providing me with an e-copy of the book in return for an honest and unbiased review. 


Author Q&A · Blog Tours

BLOG TOUR Q&A!!! Haverscroft by S. A. Harris

Haverscroft CoverHaverscroft House is big, old, gloomy and in need of some major refurbishment. Kate Keeling’s husband Mark has his heart set on it – despite the crumbling car in the garage and the locked attic that they are not allowed to view before they move in.

Kate only agrees to leave everything she knows in London and move to Haverscroft in a bid to salvage her marriage.

Little does Kate realise but Haverscroft’s dark secrets will drive her to question her sanity, her husband, and fatally engulf her family unless she can stop the past repeating itself.

Can Kate keep her children safe and escape Haverscroft in time, even if it will end her marriage?

Haverscroft is a deliciously dark supernatural tale from debut author S. A. Harris. I am delighted to welcome Sal to The Shelf today to tell us more about the book and about the process behind creating a gripping modern ghost story.

SA HarrisWelcome to The Shelf of Unread Books! Haverscroft is described as a ‘modern ghost story’. What was it that drew you to the genre and how did you go about updating the tropes found in classic ghost stories for a modern setting?

I have loved ghost stories since I was a small child so it felt very natural to write one. Many such stories are historically based but I wanted mine to be in the modern day.

Although a contemporary setting offers fresh challenges, mobile phones for one, many of the essential elements of a good ghost story are timeless. Things that go bump in the night don’t really ever change. There is little difference in the dodgy electrics at Haverscroft to a guttering candle flame. Unexplained sounds or peculiar smells are as disconcerting to someone living in 2019 as they were, say in Charles Dickens’ Jacob Marley, in A Christmas Carol, is not unlike the damaged soul of Edward Havers in Haverscroft.

Fear is one of our strongest emotions; it is essential to our survival. Dark corners, shifting shadows or unfamiliar noises can just as easily spook us today as they did our ancestors over millennia.

In addition to being a ghost story, Haverscroft is an intimate portrait of a marriage on the rocks, and of a modern family trying to atone for past mistakes. What made you want to combine domestic drama, something more commonly associated with psychological thrillers, with the supernatural?

I wrote the first couple of pages of what would become Haverscroft one Sunday evening as I sat by the fire over the winter of 2010/11. Kate and her family spilt onto the page and were instantly very real to me. Kate was recovering from mental illness. I knew she had cheated on her husband Mark but I didn’t know why. They were at once a family in crisis and looking for a fresh start. I knew the house they would find was haunted.

The details of Edward and Helena Havers developed later but the basic premise was there quite naturally from the start. There was no conscious decision on my part to mix the elements of a psychological thriller with a supernatural tale. It was simply the story that arrived on a winter’s night as I sat beside the fire.

Protagonist Kate and her husband Mark are both very realistic characters, both of whom have secrets to keep. Was it tricky portraying the more difficult aspects of their characters whilst also keeping the reader on their side? And how did their fallibility tie into the overall feel of the novel?

Very! I wanted Kate and Mark to be characters the reader would sympathise with and understand even if they did not agree with their behaviour or the decisions they made.

Mark and Kate are under considerable stress for very different reasons at the start of the novel and consequently, their behaviour is sometimes challenging. Mark is snappy, short-tempered and shouts at the children. Kate is often distant and slow to respond because of her mental health. It took several drafts of the novel to get their relationship as I wanted it to be and for the characters to read, I hope, sympathetically.

Kate and Mark’s fallibility ties in with the mistakes made by the other characters in the narrative. Mrs Havers has not made good life choices! Mr Whittle and Oliver Lyle leave much to be desired.

The overlap is particularly strong with Mark’s obsession with Haverscroft House, one he shares with several other characters in the story. Kate’s fragile mental state makes her feel isolated, not only from her husband, and at times from her children as well, but also from the other characters. She is not certain whether to trust Mrs Cooper, she worries about village gossip in a similar way to Alice Havers. At the beginning of the novel, nothing is certain; the Keeling’s failing marriage and the fallibility of all the characters tie the novel together.

Kate struggles with her mental health throughout the novel, frequently questioning her own sanity as supernatural events begin to unfold at Haverscroft. Was mental health something that you specifically set out to address in the book, and how did you go about blending this with the ghost story genre?

I did not consciously set out to address mental health in the novel. When Kate first walked into my mind I knew her mental health was at the root of her problems. She is burden with guilt regarding the damage she perceives she alone had done to her marriage but also in her neglectful relationship with her mother.

As the novel evolved over time and through various drafts it became clear why Kate was so troubled. As the novel grew, mental health became a theme. Edward Havers has PTSD. Like Kate, Richard Denning has suffered a nervous breakdown. Mark is under enormous strain and is barely holding onto his sanity at points in the novel.

As an unreliable narrator, Kate was perfect for a ghost story. The reader can never be sure her decisions are rational or her internal thoughts reliable. Kate’s mental health fed the atmosphere of uncertainty and fear, something all good ghost stories need.

Haverscroft House and the surrounding village community both feel very real! Are they based upon a real place, or entirely conjured from your imagination? How did you go about researching such a place?

I first realised Weldon Church and the river running past the village was based on a real place when we collected our third child from a school camping trip. His elder two siblings had been on a similar trip years before. The church must have stuck in my mind as the feeling of déjà vu when I saw Surlingham Church, the graveyard and lychgate was starling. I had been walking around it in my mind for months!

The village is not based on any one place but countless Suffolk villages. The small hamlets I’ve driven through countless times that straddle a lane, a building here and there and then they vanish, just trees and cow partly again in the rear-view mirror.

Haverscroft House is entirely in my imagination. It is so clear, even now I sometimes take a walk through its rooms and climb the wide staircase or sit on the small metal seat beneath the willow trees and watch the water ripple across the pond.

Haverscroft has some throwbacks to some of the classics of the ghost story genre – I definitely got some ‘The Turn of the Screw’ and ‘The Secret of Crickley Hall’ vibes when reading it! Were there any authors/titles that particularly inspired the writing of Haverscroft? And any books that you would recommend to readers who enjoy Haverscroft and want to seek out other modern ghost stories?

These are too numerous to mention! Some influences would be Daphne Du Maurier, M.R. James and more recently Sarah Waters, The Little Stranger, Kate Mosse, The Winter Ghosts and The Mistletoe Bride and Other Haunting Tales.

Some titles I have read whilst writing Haverscroft have been The Coffin Path by Katherine Clements, The Small Hand by Susan Hill, Naomi’s Room by Jonathan Aycliffee, The Orphan Choir by Sophie Hannah, Haunted by James Herbert and The Loney by Andrew Michael Hurley to name just a few.

I have over the years also read the classics you mention in your question and would recommend those to readers as they remain powerful narratives. I have just finished Michelle Paver’s most recent novel, Wakenhyrst and would recommend her ghost story, Dark Matter as one to read.

Haverscroft is your debut novel but I believe that you are now working on a second supernatural tale. Are you allowed to tell us a little about the new book?

Silent Goodbye is a supernatural tale set on the Suffolk coast. Evie Mathews returns to England to her late father’s old house to spend the New Year with her estranged brother only to find he is missing. The house seems changed and not in a good way. As time pulls out and with no sign of her brother, Evie starts to fear not only for his safety but also her own. The story is in my head but lately, there has been little time to get it down on paper! Now Haverscroft is launched and finding its own way in the world and with a family summer holiday on the horizon, I hope to get writing!

Thank you so much to Sal for talking all things spooky with me today! The ghost story is one of my favourite genres and, having read Haverscroft, I can highly recommend it as a compulsively chilling tale that is sure to keep you turning the pages late into the night!

Haverscroft by S. A. Harris is available now in paperback and ebook from Salt Publishing and is available from all good booksellers and online retailers, including the publisher, Waterstones, Hive, Book Depository and Amazon. My thanks go to the publisher for providing me with a copy of the book in order to prepare for this Q&A, and to the author for answering my questions!

You can check out reviews and other content about Haverscroft at the other blog tour posts, details of which are below. Thank you to Emma Dowson from Salt Publishing for organising the tour and inviting me to take part!

Haverscroft Tour Poster

Reviews · Seasonal Reads

REVIEW!! Help the Witch by Tom Cox

40799510As night draws through country lanes, and darkness sweeps across the hills and hedgerows, shadows appear where figures are not; things do not remain in their places; a new home is punctured by abandoned objects; a watering hole conceals depths greater than its swimmers can fathom.

Inspired by our native landscapes and traversing boundaries of the past and the future, this collection is Tom Cox’s first foray into fiction.

I’m not a huge reader of short stories as a general rule but I do make an exception for ghost stories. There’s something sublime in reading a snippet of the strange and uncanny, like getting a little shot of the shivers straight into your spine. So I was thrilled when I discovered that Tom Cox was planning his first foray into fiction with Help the Witch, a collection of ghost stories, inspired in part by a very cold, dark winter spent living in a possibly haunted house in a remote part of the Peak District.

I’ve been a fan of Cox’s writing for a while, having been introduced to it through the medium of Twitter and the account of the much-missed @mysadcat, otherwise known as The Bear. Cox has written four humorous, wry and observant books about The Bear, his other feline companions Shipley, Roscoe, and Ralph, and the indefinable way that cats have of upending your life whilst still managing to make themselves one of the most adorable things in it. Those books, in turn, led me to Cox’s website/blog, with its fantastic posts about everything from walks in the countryside to conversations with his (VERY LOUD AND EXCITABLE) Dad, via cat anecdotes, 1970s folk music, love letters to the beach and, of course, the occasional ghost story.

Cox’s writing has a fantastic richness of language, something he showcased to great effect in his non-fiction nature/memoir/essay collection, 21st Century Yokel, and which is on display in Help The Witch. In just a few words, he conjures spirits out of hill fogs, and talismans from tree branches. The collection is filled with the shadows that lurk behind doors and live forever at the corners of your vision. It’s fabulously atmospheric writing, couched in a real sense of landscape and place.

As with all short story collections, I had my favourites. The title story, Help the Witch, is the probably the most traditional ‘ghost story’ in the collection, featuring an isolated house, a long, dark winter, and more than a few bumps in the night. I particularly enjoyed the subtle observations within the story, told in diary form, of everyday encounters, twisted here into loaded encounters imbued with possibly sinister meanings. As with many of the best ghost stories, Help the Witch finds madness lurking just beneath the realm of the everyday.

As a former estate agent, the story Listings provided some amusement, being made up of a number of advertisements for a property with a very unique selling point. And Just Good Friends provided a fantastic slice of sinister, showing how the supernatural can creep into our everyday existence through memory, wish-fulfilment and longing.

This is a collection influenced by folk tales, with their strange, twisting narratives and sharp, sinister finality. This is most evident in Folk Tales of the Twenty-Third Century, a brilliant collection of shorts that encompasses a fabulously dark Rumplestiltskin re-telling and a cautionary tale about a banjo player and the perils of fame. However, it’s also imbued with Cox’s warmth and his wryly observant humour. Seance, for example, features a medium channelling an embittered cyclist who doesn’t realise he’s dead, a life coach called Adrianne (“Adrianne is actually quite boring”), and a fox, much to the disappointment of a client expecting a rather more personalised encounter with the spirit realm.

By turns spookily sinister and wryly amusing, this is an eclectic and quirky collection written with a light but controlled touch. Beautifully evocative of the eerieness inherent in nature, Cox has an eye for the unusual and a real skill for conveying this. Gorgeously produced, with artwork by Tom’s talented artist mum Jo throughout, and a stunning front cover by Joe McLaren, Help the Witch would make a fantastic gift for yourself or a loved one this festive season – it’s the perfect collection for curling up by the fire with on a dark winter’s night!

Help the Witch by Tom Cox is published by Unbound and is available now in hardback and ebook from all good booksellers and online retailers including Unbound, Waterstones, and Amazon


Seasonal Reads

Spooky Reading Recommendations

The leaves are changing, the nights are drawing in, and it’s time to drag that favourite  jumper out of the closet. Is any more of an excuse needed to settle down with a mug of tea, curl up under your favourite blanket and pick up a book? And, for me personally, if that book has a touch of the sinister about it – something that’ll send a slight chill down my spine despite all that cosiness – then even better! So without further ado here are five of my favourite chilling reads, plus a few choices that I’m hoping to get to during 2018’s season of spookiness.

584843I can’t talk about spooky books without mentioning The Woman in Black. Susan Hill has written a number of ghost stories but this, without a doubt, remains my favourite. Possibly this is because I first read the book one dark All Hallows Eve, curled up in a caravan on the wet and wild Welsh coast whilst the rain lashed on the roof and the wind howled outside. Talk about pathetic fallacy! Having re-read the book many times in considerably finer weather since however, I can attest to it being an extremely fine ghost story with just the right level of menace. Arthur Kipps’ visit to desolate Eel Marsh House and his glimpses of the vengeful woman in black remain utterly terrifying on even the brightest of days.

8350864More readily known for her young adult series, Chronicles of Ancient Darkness, Michelle Paver has also written two chilling ghost stories after the Gothic mould. My favourite of the two, Dark Matter, is set during an ill-fated expedition to Arctic and brilliantly adds chilling events to an even colder location. Her second, Thin Air, takes place during a similarly doomed mountaineering expedition. Both books play with ideas of repression and psychology, cleverly weaving the characters’ fears into the narrative so that the reader begins to doubt the veracity of their narratives. Paver is also excellent at using the stark yet dangerous beauty of the natural environment to great effect when creating her sinister tales.

36434359Laura Purcell’s The Silent Companions, which I reviewed at the start of the year, is an unsettling gothic chiller that will leave you curled up under the covers and peering into the shadows. Part ghost story, part psychological mystery, the book uses interweaving narratives from the 1600s and 1800s to unravel the unhappy tale of the wooden companions that haunt crumbling country estate The Bridge, with possibly sinister intent.  Plus it has a really creepy child in it and nothing says dark and disturbing quite as much as childish innocence gone bad.

10692Moving away from ghost stories for a moment, Elizabeth Kostova’s The Historian is a brilliant romp which combines the gothic horror of Dracula with the country-hoping adventure of a Dan Brown thriller. Late one night when exploring her father’s study, a young woman finds an ancient book and a cache of yellowing letters ominously addressed ‘To my dear and unfortunate successor’. When her father goes missing, our unnamed narrator is forced into an epic cross-continental quest that takes her into the heart of Romania, uncovering the secrets of her father’s past and her mother’s disappearance, and constantly coming up against the name of one Vlad Ţepeş. As you can probably tell from the synopsis, The Historian is a bit of a romp but it’s a thoroughly enjoyable one written in a high gothic style and with plenty of literary and historical references for Dracula fans.

6550482For those who like their horror to come with a more literary flavour, Sarah Waters’ The Little Stranger combines Waters masterful prose with a dash of the supernatural. Set in the crumbling Hundred Hall, the novel follows the provincial, middle-class Dr Faraday as he gradually integrates himself into the life of the once wealthy Ayres family. Struggling to keep up with a changing society, the Ayreses are haunted by past glories. But are they also being haunted by something more sinister than their dying way of life? Combining a thoughtful meditation on class in post-war Britain with a creeping sense of dread and a fantastically creepy atmosphere, this is a slow, understated chill of a novel with a fantastic twist in its tale.

So what is on The Shelf’s spooky TBR for this season? Having still not got around to Laura Purcell’s latest chiller, The Corset, I’m eager to pick that up. Sarah Perry’s latest slice of gothic, Melmoth, is also on the pile – I loved The Essex Serpent so much that I’m almost afraid to read it! I’m taking part in the blog tour for SJI Holliday’s psychological ghost story The Lingering in November so am also very much looking forward to reading that, especially given all the high praise it has been getting from fellow bloggers. Finally Katherine Clements’ The Coffin Path picked up a lot of praise on its release last year but remains unread so I’m hoping to get to that now that the season is appropriate again.

As always, I would love to know if you’ve read any of my recommendations – or any of my TBR books. I do love a good ghost or supernatural story so if you’ve got any chilling recommendations for me then do also drop me a line in the comments, or come say hi over on Twitter (@amyinstaffs), and let me know about them!

Happy Reading!!